On books, and lists of books

Great books?

16/01/2010

in Books

Kat posted a list of ‘should-reads’ from the BBC and noted what she’d read, what she hasn’t but wants to, and what she hasn’t and doesn’t want to. I think this activity should become a meme – it has reminded me of books I love and books I still want to read. And reread.

Following Kat’s legend, bold means I’ve read it and unbold (shy?) means I haven’t.

1. Pride and Prejudice – Jane Austen
2. The Lord of the Rings – JRR Tolkien
3. Jane Eyre – Charlotte Bronte
4. Harry Potter series – JK Rowling
5. To Kill a Mockingbird – Harper Lee
6. The Bible (spoilers abound, I’ve heard the ending)
7. Wuthering Heights – Emily Bronte
8. Nineteen Eighty Four – George Orwell
9. His Dark Materials – Philip Pullman
10. Great Expectations – Charles Dickens (how have I not read this yet? List!)
11. Little Women – Louisa M Alcott
12. Tess of the D’Urbervilles – Thomas Hardy (I know, I know…)
13. Catch 22 – Joseph Heller
14. Complete Works of Shakespeare – (nope, not all of it. Not yet.)
15. Rebecca – Daphne Du Maurier
16. The Hobbit – JRR Tolkien

17. Birdsong – Sebastian Faulk
18. Catcher in the Rye – JD Salinger
19. The Time Traveler’s Wife – Audrey Niffenegger
20. Middlemarch – George Eliot
21. Gone With The Wind – Margaret Mitchell
22. The Great Gatsby – F. Scott Fitzgerald
23. Bleak House – Charles Dickens (Got to improve my Dickens ratings – this is unforgivable!)
24. War and Peace – Leo Tolstoy (One of these days; doorstop)
25. The Hitch Hiker’s Guide to the Galaxy – Douglas Adams
27. Crime and Punishment – Fyodor Dostoyevsky
28. Grapes of Wrath – John Steinbeck
29. Alice in Wonderland – Lewis Carroll
30. The Wind in the Willows – Kenneth Grahame
31. Anna Karenina – Leo Tolstoy
32. David Copperfield – Charles Dickens
33. Chronicles of Narnia – CS Lewis
34. Emma – Jane Austen
35. Persuasion – Jane Austen
36. The Lion, The Witch and The Wardrobe – CS Lewis
37. The Kite Runner – Khaled Hosseini
38. Captain Corelli’s Mandolin – Louis De Bernieres
39. Memoirs of a Geisha – Arthur Golden
40. Winnie the Pooh – AA Milne
41. Animal Farm – George Orwell
42. The Da Vinci Code – Dan Brown

43. One Hundred Years of Solitude – Gabriel Garcia Marquez
44. A Prayer for Owen Meany – John Irving
45. The Woman in White – Wilkie Collins
46. Anne of Green Gables – LM Montgomery
47. Far From The Madding Crowd – Thomas Hardy
48. The Handmaid’s Tale – Margaret Atwood
49. Lord of the Flies – William Golding
50. Atonement – Ian McEwan
51. Life of Pi – Yann Martel
52. Dune – Frank Herbert
53. Cold Comfort Farm – Stella Gibbons
54. Sense and Sensibility – Jane Austen
55. A Suitable Boy – Vikram Seth (started this but had to return it. I’ve loved some of his other books.)
56. The Shadow of the Wind – Carlos Ruiz Zafon
57. A Tale Of Two Cities – Charles Dickens
58. Brave New World – Aldous Huxley
59. The Curious Incident of the Dog in the Night Time – Mark Haddon
60. Love In The Time Of Cholera – Gabriel Garcia Marquez
61. Of Mice and Men – John Steinbeck
62. Lolita – Vladimir Nabokov
63. The Secret History – Donna Tartt
64. The Lovely Bones – Alice Sebold
65. Count of Monte Cristo – Alexandre Dumas
66. On The Road – Jack Kerouac
67. Jude the Obscure – Thomas Hardy
68. Bridget Jones’s Diary – Helen Fielding
69. Midnight’s Children – Salman Rushdie

70. Moby Dick – Herman Melville (this is embarrassing!)
71. Oliver Twist – Charles Dickens
72. Dracula – Bram Stoker
73. The Secret Garden – Frances Hodgson Burnett
74. Notes From A Small Island – Bill Bryson

75. Ulysses – James Joyce
76. The Inferno – Dante
77. Swallows and Amazons – Arthur Ransome
78. Germinal – Emile Zola
79. Vanity Fair – William Makepeace Thackeray
80. Possession – AS Byatt
81. A Christmas Carol – Charles Dickens
82. Cloud Atlas – David Mitchell
83. The Color Purple – Alice Walker (didn’t like this. Have issues with Alice Walker)
84. The Remains of the Day – Kazuo Ishiguro (MUST READ!)
85. Madame Bovary – Gustave Flaubert
86. A Fine Balance – Rohinton Mistry (urg, have started at least three times…)
87. Charlotte’s Web – EB White
88. The Five People You Meet In Heaven – Mitch Albom
(AWFUL American tripe)
89. Adventures of Sherlock Holmes – Sir Arthur Conan Doyle (Wow, have I really not?)
90. The Faraway Tree Collection – Enid Blyton
91. Heart of Darkness – Joseph Conrad
92. The Little Prince – Antoine De Saint-Exupery
93. The Wasp Factory – Iain Banks
94. Watership Down – Richard Adams
(Oh how I love this book!)
95. A Confederacy of Dunces – John Kennedy Toole
96. A Town Like Alice – Nevil Shute
97. The Three Musketeers – Alexandre Dumas
98. Hamlet – William Shakespeare
99. Charlie and the Chocolate Factory – Roald Dahl
100. Les Miserables – Victor Hugo
(Good but not a patch on the musical…)

I’ve got just over half (about 56) under my belt. And nothing in there that I don’t want to read, which is a nice feeling (the ones I don’t want to read, unfortunately, I’ve already read).

Based on this, in 2010 I am going to try and read (more):

  • Dickens
  • Russians
  • Ulysses, finally
  • Remains of the Day
  • Sherlock Holmes
  • Steinbeck

Kat points out the problematic notion that you have to read a specific collection of books to be well-read (or whatever). I agree with her, but I also subscribe to the idea of the canon – as long as it’s a flexible, self-determined one. I like the idea of a literary heritage, that we inherit great tales, that there’s some kind of inter-generational continuity where stories are concerned. In fact, the nice thing about this list is its combination of contemporary and historical books.

I think that we can share a lot through stories, that we can tap into the zeitgeist, the ideas that are circulating the planet, the thoughts people are thinking and were thinking. Maybe reading some of these “greats” is the equivalent of checking the newsfeed on Facebook – checking in with the larger vibe. Except you get to check everyone’s best updates, none of the ‘this milkshake tastes like ass’ bits. (Although, as loyal readers know, the books representing those quotidian updates are also enjoyed by me on a regular basis.)

My approval of the canon may seem to be at odds with views I’ve previously expressed, but to me there’s no paradox. I love ephemeral stories and I love stories that last forever. They aren’t the same thing, but also… they are the same thing.

I’m in favour of stories.

What about you?

What do you think about these sorts of lists? Do they serve a purpose, or do they just make some people feel smug and some feel inferior? Why do we read, anyway? What’s a bestseller doing?

Sarah, Suse, Blair, you’re tagged. Blogless friends, anonymous readers, what do you folks read and what you make of it all?
Creative Commons License photo credit: guldfisken

The BookDepository

  • I like this! But why, oh why, isn't the luminous 'The God of Small Things' included?

    Let me know when you decide to tackle Hardy, Ro - notice its big fat absence on your to-do list!!! Maybe I missed something but, although before reading 'Tess' and 'Madding Crowd' I anticipated quite a chore, in fact I found them woefully less substantial than expected and couldn't really see past all that ridiculous bodice-ripping. So only a sort-of chore; but not in the dense Tolstoy or Dickens or Joyce (who I can't stand, sorry - all that bloody atmosphere) sense.

    Like you, I failed to get far enough with 'A Suitable Boy', though I don't quite understand why, several times; maybe it felt necessary, and impossible, to live another life for a while. This it is not a book to do by 'alves - oh, so rich, and engrossing, and peopled, and, well, long.

    That's quite enough from the Oxford comma for now. Glad love (or whatever it is) has found you.

    Kate X
  • onedia
    I like reading lists and such tools as librarything . I enjoy book discussion clubs as long as they are a bit loose on procedure. Books are food for the spirit and the mind and the imagination. They are survival tools. I probably ready about the same number on your list and some partially because I disliked them and I refuse to trudge through a book I dislike unless it is required for a course and thankfully I left that behind so thank God I will never have to read Moby Dick again.

    However, perhaps for people who love the smell and feel of books as much as the words in them I am a grateful convert to the joys of audio books and praise libraries that give them to me for my mp3 player or pc. I can now read whenever...but I will NOW even "read" authors that I dislike or tome's because they are so much more pleasing when read to me by someone who is quite good at it.
  • Hazel Field
    that didn't quite work as the bold disappeared - hmmm. me computer illieterate!
  • Hazel Field
    . Pride and Prejudice – Jane Austen
    2. The Lord of the Rings – JRR Tolkien
    3. Jane Eyre – Charlotte Bronte
    4. Harry Potter series – JK Rowling
    5. To Kill a Mockingbird – Harper Lee
    6. The Bible (well a childrens illustrated one anyhow)
    7. Wuthering Heights – Emily Bronte
    8. Nineteen Eighty Four – George Orwell
    9. His Dark Materials – Philip Pullman
    10. Great Expectations – Charles Dickens
    11. Little Women – Louisa M Alcott
    12. Tess of the D’Urbervilles – Thomas Hardy
    13. Catch 22 – Joseph Heller
    14. Complete Works of Shakespeare – (nope, not all of it. Not yet.)
    15. Rebecca – Daphne Du Maurier
    16. The Hobbit – JRR Tolkien
    17. Birdsong – Sebastian Faulk
    18. Catcher in the Rye – JD Salinger
    19. The Time Traveler’s Wife – Audrey Niffenegger
    20. Middlemarch – George Eliot
    21. Gone With The Wind – Margaret Mitchell
    22. The Great Gatsby – F. Scott Fitzgerald
    23. Bleak House – Charles Dickens (Got to improve my Dickens ratings – this is unforgivable!)
    24. War and Peace – Leo Tolstoy (around Cambodia – great for squashing mozzies!)
    25. The Hitch Hiker’s Guide to the Galaxy – Douglas Adams
    27. Crime and Punishment – Fyodor Dostoyevsky
    28. Grapes of Wrath – John Steinbeck
    29. Alice in Wonderland – Lewis Carroll
    30. The Wind in the Willows – Kenneth Grahame
    31. Anna Karenina – Leo Tolstoy
    32. David Copperfield – Charles Dickens
    33. Chronicles of Narnia – CS Lewis
    34. Emma – Jane Austen
    35. Persuasion – Jane Austen
    36. The Lion, The Witch and The Wardrobe – CS Lewis
    37. The Kite Runner – Khaled Hosseini
    38. Captain Corelli’s Mandolin – Louis De Bernieres
    39. Memoirs of a Geisha – Arthur Golden
    40. Winnie the Pooh – AA Milne
    41. Animal Farm – George Orwell
    42. The Da Vinci Code – Dan Brown
    43. One Hundred Years of Solitude – Gabriel Garcia Marquez
    44. A Prayer for Owen Meany – John Irving
    45. The Woman in White – Wilkie Collins
    46. Anne of Green Gables – LM Montgomery - - love it on video though
    47. Far From The Madding Crowd – Thomas Hardy
    48. The Handmaid’s Tale – Margaret Atwood
    49. Lord of the Flies – William Golding
    50. Atonement – Ian McEwan
    51. Life of Pi – Yann Martel
    52. Dune – Frank Herbert
    53. Cold Comfort Farm – Stella Gibbons – love the film
    54. Sense and Sensibility – Jane Austen
    55. A Suitable Boy – Vikram Seth
    56. The Shadow of the Wind – Carlos Ruiz Zafon
    57. A Tale Of Two Cities – Charles Dickens
    58. Brave New World – Aldous Huxley
    59. The Curious Incident of the Dog in the Night Time – Mark Haddon
    60. Love In The Time Of Cholera – Gabriel Garcia Marquez
    61. Of Mice and Men – John Steinbeck
    62. Lolita – Vladimir Nabokov
    63. The Secret History – Donna Tartt
    64. The Lovely Bones – Alice Sebold
    65. Count of Monte Cristo – Alexandre Dumas
    66. On The Road – Jack Kerouac
    67. Jude the Obscure – Thomas Hardy
    68. Bridget Jones’s Diary – Helen Fielding
    69. Midnight’s Children – Salman Rushdie
    70. Moby Dick – Herman Melville
    71. Oliver Twist – Charles Dickens
    72. Dracula – Bram Stoker
    73. The Secret Garden – Frances Hodgson Burnett
    74. Notes From A Small Island – Bill Bryson
    75. Ulysses – James Joyce
    76. The Inferno – Dante
    77. Swallows and Amazons – Arthur Ransome
    78. Germinal – Emile Zola
    79. Vanity Fair – William Makepeace Thackeray
    80. Possession – AS Byatt
    81. A Christmas Carol – Charles Dickens
    82. Cloud Atlas – David Mitchell
    83. The Color Purple – Alice Walker
    84. The Remains of the Day – Kazuo Ishiguro (MUST READ!)
    85. Madame Bovary – Gustave Flaubert
    86. A Fine Balance – Rohinton Mistry (urg, have started at least three times…)
    87. Charlotte’s Web – EB White
    88. The Five People You Meet In Heaven – Mitch Albom
    89. Adventures of Sherlock Holmes – Sir Arthur Conan Doyle
    90. The Faraway Tree Collection – Enid Blyton
    91. Heart of Darkness – Joseph Conrad
    92. The Little Prince – Antoine De Saint-Exupery
    93. The Wasp Factory – Iain Banks
    94. Watership Down – Richard Adams
    95. A Confederacy of Dunces – John Kennedy Toole
    96. A Town Like Alice – Nevil Shute
    97. The Three Musketeers – Alexandre Dumas
    98. Hamlet – William Shakespeare
    99. Charlie and the Chocolate Factory – Roald Dahl
    100. Les Miserables – Victor Hugo

    Enjoyed going through the list - pretty good on Thomas Hardy and Russian literature. Not so good on Dickens
  • Geez, thanks for tagging me so I have to admit having read only about 10 things off this list. I would come up with some great justification - probably citing post modernism at some point - for not having read more of these books...but I guess it's probably just because Dickens just seems like hard work sometimes.
  • Kat
    Ohh fun seeing what you read, I think you have read more than me so clearly I know despise you as an elitist. I agree with the comment that there are several books by single authors (Dickens, Austen etc), forgot to mention that on my post.
  • Kat
    *now

    *ashamed*
  • I actually don't like this particular list, which has been circulating on Facebook for a while and seems to be a bastardisation of the BBC Big Read list (http://www.bbc.co.uk/arts/bigread/top100.shtml) which has been bastardised for inexplicable reasons. Why does it have both individual books and series listed? Why does it have both the complete works of Shakespeare and Hamlet listed separately? It's just silly.

    The (proper) BBC list was based on a popular vote for 'the nation's best-loved novel' and so is not really a 'canon' as such. I quite like lists, actually, but I prefer ones like the Modern Library's 100 Best Novels of the 20th Century (http://www.randomhouse.com/modernlibrary/100bes...) rather than anything that includes tripe like Harry Potter or The Kite Runner. I even make my own lists (http://web.mac.com/b1b2/blah/greatlivingnovels.... and http://web.mac.com/b1b2/blah/greatdeadnovels.html and http://web.mac.com/b1b2/blah/greatcomics1.html).
  • I highly suggest you add GONE WITH THE WIND to your list of must-reads this year.

    I love your analogy: "Maybe reading some of these “greats” is the equivalent of checking the newsfeed on Facebook – checking in with the larger vibe." - If Scarlett and Rhett were on Facebook, I would download that stupid top friend app just for them!

    But as always, lists and books are subjective. Enjoy your reading adventures!
  • Thanks for commenting! I've had a look at your blog - a welcome discovery. Will definitely add Rhett and Scarlett to my friends list ASAP!
  • DavidA
    I would forgive the presence of Harry Potter if Proust were there too, but he is not, so this list deserves to be burnt at the stake. Too much Dickens as well - just choose one book from each author, BBC. Last year Sarah did a blog post about a Guardian list of hundreds of "essential" books in various genres. I was annoyed at how many authors were given five or more entries, such as Graham Greene, PG Wodehouse and Agatha Christie. With six Dickens entries, this BBC list suffers from the same problem.

    "Moby Dick – Herman Melville (this is embarrassing!)"

    Must say I stopped reading Moby Dick on the first page after it made some ridiculous argument about the spelling of "whale". It annoyed me so much that I put it down and haven't read it since. I'm too picky I suppose, but if the author annoys or bores me then I don't see why I should continue reading, since there is always a different book to read.

    There are always too many books to read of course, too many great works that we may or may not like. There's no shame in not liking or not 'getting' a book that is considered a should-read. I saw somewhere that Ulysses is the most 'unread' classic - it sells about 100,000 copies a year while 90% of its readers don't finish it. This is ok - W B Yeats and George Bernard Shaw didn't finish it either. It is deliberately written in ways that force us to stretch our abilities as readers and interpreters, and as such many people find it difficult to keep on reading, since it is not written like a conventional story that is easily read from start to finish. Then with Finnegans Wake Joyce went beyond Ulysses by several factors more.

    I stopped favouring stories almost completely after I read Joyce. As opposed to stories, Ulysses and Finnegans Wake are more about deep psychological and linguistic immersion, going beyond linear storytelling. Many of Samuel Beckett's works are like this too. After Joyce I found stories to be too simple and straightforward. Life is not like the plot of a mainstream story I find, I think it is more like a series of circles and crooked lines that don't always make sense or match up, confusing us and making us wonder why we do anything at all.

    Still, Ro, you make a great point here:

    "I like the idea of a literary heritage, that we inherit great tales"

    Joyce himself thought the same way, and he used many happenings from past stories to underly actions in his own work. This reached its extreme limit in Finnegans Wake, where a great deal of the "plot" is based upon reworkings of old tales in amongst Joyce's own characters and word-play, with each story flowing into the next in an endless cycle, with no beginning or end, a kind of anti-story system that eradicates linear plot development.

    Again, this is not for everyone, and I wouldn't tell anyone that they "should" read Finnegans Wake. I would question the idea that we "should" read any particular book, since tastes are so varied and there will always be a different book that we can get great things from.
  • Eek, didn't remember that post of Sarah's! I just owned up to her that I am a filthy plagiarist; she took it quite well, considering.

    Thanks for your many thoughts, David. I tend to disagree with you about 'traditional', non-Joycean stories in that I think they serve some sort of deep function, that the formula is reassuring and reinforcing or something. That said, I've only read Portrait so I can't really respond until I've got Ulysses and F's Wake under my belt.

    I'm wondering about audiobooks - I am an avid devourer of these and I wonder whether hearing Joyce read by someone intimitely familiar with the voices he uses could be quite an experience. I know it's really good with Dylan Thomas, for instance, to capture the cadences, etc.
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